Jorg Marx

The project is about the transformation of the village environment at night time. While the city plunges into a sea of light at night, the village is barely lit by lights. There is no activity in the village which deflects from the interplay of the pale light and the building environment.

Anthoine Seguine photography

At the edge of the city, something has changed in the landscape. A new suburban housing was growing. He found it intersting that he got the role of a witness.

Larry Torno

His works include a collection of panormic photo's .Which make it almost cinematic formatting of large screen imagery. the letterbox approach gives a feel of Hollywood films.

George Rousse

gregory crewdson- "sanctuary"

Arnold Odermatt

Paul Graham- A shimmer of possibilty

Organising a choreography by the way he framed.

Gregory Crewdson

He uses this dramatic lighting to show these mysterious scenes. It almost like a tv show of a neighbourhood that something mysterious is occuring or is about to happen in the picture's. The people are very much dramatically lighted from the back. Giving a spooky approach to the picture.

James Casabere

He takes pictures of buildings he finds interesting and then he reproduces into these small models of the building he seen.

Jeff Wall

Lewis Baltz

Lewis Baltz is best known as one of the icons of the 'New Topography' movement in photography of the late seventies. Presented together in the exhibition 'New Topographics: Photographs of a Man-altered Landscape' in 1975 (Rochester, NY), this group of young photographers brought a shift in landscape photography in showing the images of a world far removed from an heroic vision of America. This move was also illustrated by the subject matter of urban and suburban realities under change, as well as the photographers' commitment to a critical and ironic eye of contemporary American society. Thirty years after its opening, this exhibition still remains one with the strongest impact on landscape photography world-wide in its attempt to define both objectivity and the role of the artist in photographic creation.

James Welling

William Eggleston