Visual Communications

In our CCS class on fri the 3rd of Feb we looked at artists that huge influences on graphics these included : -Toulouse Lautrec -Jules Cheret Toulouse Lautrec

They used Female figures to influence the viewer.He captured the effect of the movement of dancers, circus performers, and other entertainers by simplifying outlines and juxtaposing intense colours; the result was an art throbbing with life and energy. His lithographs were among his most powerful works, and his memorable posters helped define the possibilities of the genre. His pieces are often sharply satirical, but he was also capable of great sympathy, seen most poignantly in his studies of prostitutes (e.g., At the Salon, 1896). His extraordinary style helped set the course of avant-garde art for decades to come. Read more: http://www.answers.com/topic/henri-de-toulouse-lautrec#ixzz2Jw7Wm61p Jules Cheret

From 1859 to 1866, he was trained in lithography in London, England, where he was strongly influenced by the British approach to poster design and printing. On returning to France, Chéret created vivid poster ads for the cabarets, music halls, and theaters such as the Eldorado, the Olympia, the Folies Bergères, Théâtre de l'Opéra, the Alcazar d'Été and the Moulin Rouge. His works were influenced by the scenes of frivolity depicted in the works of Rococo artists such as Jean-Honoré Fragonard and Antoine Watteau. So much in demand was he, that he expanded his business to providing advertisements for the plays of touring troupes, municipal festivals, and then for beverages and liquors, perfumes, soaps, cosmetics and pharmaceutical products. Eventually he became a major advertising force, adding the railroad companies and a number of manufacturing businesses to his client list. As his work became more popular and his large posters displaying modestly free-spirited females found a larger audience, pundits began calling him the "father of the women's liberation." Females had previously been depicted in art as prostitutes or puritans. The women of Chéret's posters, joyous, elegant and lively—'Cherettes', as they were popularly called—were neither.